My practice is rooted in the process of painting, this is a practice that finds its language from landscape architecture and from the experiential. Factors that inform the making are specific to place and memory. 

Recent work is connected to the time I spent at the British School at Rome, as an Abbey fellow, autumn 2014. There I worked underground on paintings as a way of looking and of re thinking, remembering not only the visual but also the harder to locate and catalogue, smells, humidity, history.