“My practice operates as a critical extension of modernism, engaging environmentalism not as a theme but as a structural condition of contemporary art. Through experimentation, material awareness, and systems thinking, I explore the relationships between ecology, place, and human activity, working in direct response to landscape, climate, and limited resources.

Environmental responsibility functions within my work as a generative and analytical force rather than an external constraint. By this, I mean that ecological limits and ethical accountability actively shape the form, process, and meaning of my work, functioning as internal drivers of invention and critical reflection rather than as restrictions applied after the fact.

By a critical extension of modernism, I mean continuing modernism as a method of inquiry—experimentation, material honesty, and systems thinking—while critically revising its historical reliance on industrial growth and technological optimism through ecological intelligence and environmental accountability.

I use “structural condition” to mean that ecological reality now defines the material, logistical, and ethical framework within which contemporary art is made.

Through experimentation, material awareness, and systems thinking, I explore relationships between ecology, place, and human activity, working in direct response to landscape, climate, and limited resources.”