“When I arrived at Joya: AiR I had with me one book, Pablo Neruda’s memories.
There is an old lavandería (hand wash) near the house. One of the stones in the wall of the lavandería was scored with lines and formed a space-time grid.
Una flor que crece.
Flowers, compressed between the paper and this stone, appear on the surface of the drawing. Placed between the space of the paper and that of the stone, the flowers mark a continual temporality. The history of the site mixes with the present realisation of the drawing and the imminent future that the plants represent.
A luminous solitude floods this residency in the heart of the Sierra Maria - Los Velez. I wanted to testify to the luminous sensation that I lost myself in in this dramatic landscape. Long solitary walks along the rocky, arid trails allowed me to find silent answers.
All time limits seemed to be abolished during those weeks.
I wanted to make a second series of drawings that would evoke this idea of radical, absolute and permanent present. I used a mixture of acrylic and clay. By their furtive passage on the surface of the paper, the plants marked their light imprint in reverse.
"Time is the moving image of eternity" and when time is suspended by this radical present where past and future mingle and merge, we experience the flight of time in which we pass. Joya: AiR makes such an absolute present possible; this retreat in the heart of nature invites a radiant dialectic between the passage and suspension of time”.
Alizée Gazeau . https://alizeegazeau.com/